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    <loc>https://www.aut0books.com/focus</loc>
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  <url>
    <loc>https://www.aut0books.com/focus/blog-post-title-two-4937w-2zj38</loc>
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    <lastmod>2025-12-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/71e3ee35-cd82-4803-9a21-96a02d09cdf4/474967.jpg</image:loc>
      <image:title>Focus - AUTO Focus 3 - Jeff Bridges Pictures</image:title>
      <image:caption>Pictures (powerHouse Books, 2003) showcases Jeff Bridges not just as an actor, but as a photographer, capturing decades of life on film sets through his panoramic Widelux camera. The images reveal quiet, candid moments of cast and crew, offering a rare, intimate perspective on the collaborative process of filmmaking. For Gerry, Bridges’ books have been a major influence, shaping how he photographs his own collaborators and informing his approach to storytelling across comics and photography. Duggan credits Bridges’ work with inspiring the way he frames people, mood, and interaction.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/79b8dc1b-0ad4-4149-8277-2229293327d5/the-eyes-of-the-city-9781576877876_hr.jpg</image:loc>
      <image:title>Focus - AUTO Focus 3 - Richard Sandler The Eyes of the City</image:title>
      <image:caption>The Eyes of the City (powerHouse Books, 2016) by Richard Sandler captures decades of street life in Boston and New York from 1977 up until the weeks before September 11, 2001. It showcases Sandler’s sharp, compassionate eye for the city’s flux where beauty met decay, and everyday people lived through seismic change. For Gerry, this book is a touchstone. The gritty honesty, the human moments amid transformation, and the way the urban landscape becomes a character in its own story deeply inform how he frames both his photography and his work in comics.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/f8725394-43ca-4c8f-a641-3f8b25987c85/Screenshot+2025-11-10+at+5.39.06%E2%80%AFPM.png</image:loc>
      <image:title>Focus - AUTO Focus 3 - Marvin E. Newman Photographs 1949-1983</image:title>
      <image:caption>Marvin E. Newman Photographs 1949–1983 (TASCHEN, 2024) collects over three decades of Newman’s work, documenting New York street life. His photographs combine careful composition with a humanist sensibility, showing the city and its people in a vivid, thoughtful way. Watching New York pass by through these images, Duggan finds a nostalgia for the city and the era they capture not for his own past work, but for the energy and life of those years. These photographs continue to influence how he observes people, place, and mood, both in his photography and in his storytelling.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/0222f856-6d2e-496d-9a1d-7930e47c33c9/Screenshot+2025-11-10+at+5.51.57%E2%80%AFPM.png</image:loc>
      <image:title>Focus - AUTO Focus 3 - Arthur Trees The Dream Collector</image:title>
      <image:caption>Arthur Tress The Dream Collector (Westover, 1972) presents a striking series of staged black‑and‑white photographs in which children enact their vivid dreams and nightmares. Tress moves beyond documentary into a realm of symbolic imagination and psychological landscape. For Duggan, this book resonates as a visual touch‑stone, the way Tress observes characters in tension, frames a world that is at once familiar and uncanny, and treats composition as narrative all echo how Duggan approaches both his photography and his comic storytelling.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/4b843ee0-ae38-42d5-ace8-9e4ee241422c/618Hu6H9ggL._AC_UF1000%2C1000_QL80_.jpg</image:loc>
      <image:title>Focus - AUTO Focus 3 - Greg Girard Tokyo-Yokosuka 1976–1983</image:title>
      <image:caption>Greg Girard Tokyo‑Yokosuka 1976 – 1983 (Magenta Foundation, 2019) presents over a hundred colour and black‑and‑white photographs of Tokyo and Yokosuka during a pivotal era just before the Japanese economic “bubble” and long before the city became the hyper‑modern metropolis many now imagine. The images capture a city in flux: post‑war infrastructure alongside emerging neon, quiet back‑streets beside naval‑base nightlife. For Duggan, this book offers a compelling model of how to observe space, transition and character. The way Girard frames people in motion, the city as set‑piece, and the unseen edges of culture informs how Duggan photographs his collaborators. The book becomes more than a record of a place; it becomes a tool for how to look.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/f3cb8462-acd1-432e-bdf5-a388ab5b9ce4/7136O0fVK8L._UF1000%2C1000_QL80_.jpg</image:loc>
      <image:title>Focus - AUTO Focus 3 - Dennis Hopper Photographs 1961–1967</image:title>
      <image:caption>Dennis Hopper Photographs 1961–1967 (TASCHEN) gathers the debut photographic work of Dennis Hopper taken during the 1960s on film sets, art openings, diners, freeways and political marches. Much of the content features icons and moments of upheaval from Andy Warhol in the Factory to the Civil Rights March from Selma to Montgomery. For Duggan, Hopper’s book has a clear appeal. Hopper’s movement between worlds reflects the way Duggan handles narrative and image, both in his comics and his photography. In Hopper’s work, Duggan finds a model for depicting people in motion, cultural breakdown, and the frame as one element of a broader, evolving story.</image:caption>
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  <url>
    <loc>https://www.aut0books.com/focus/blog-post-title-two-4937w</loc>
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    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/3549cd7b-d453-4491-8901-5eb5cb087e93/stoop.jpg</image:loc>
      <image:title>Focus - AUTO Focus 2 - Ari Marcopoulos Stoopz</image:title>
      <image:caption>Stoopz was published in 2010 by OHWOW, a gallery and publisher that, at the time, was a key force in contemporary art and underground culture. Known for producing limited-run, artist books, OHWOW became a hub for creative figures operating at the intersection of fine art, skateboarding, music, and street culture. Many of its early publications including Stoopz are now long out of print and highly collectible. OHWOW would eventually evolve into Morán Morán. Stoopz, released in tandem with Ari Marcopoulos’s 2010 solo exhibition No Cause at OHWOW’s Miami gallery, stands out as a vital document of New York City's early 90s skate scene. Marcopoulos, already known for his unfiltered style, photographed the scene from a position of familiarity and access. Rather than observing from the outside, he captured the atmosphere of a tight-knit community on its own terms - skaters, city kids, and the streets that had yet to be commercialized and widely mythologized. The images in Stoopz are less about performance and more about presence, offhand portraits, moments between, and the city in flux. At a time when skateboarding was still defiantly local, Marcopoulos was documenting a scene that would later become iconic. The book reads now not only as a piece of visual storytelling, but also as a time capsule of a New York that has since been transformed and shaped the aesthetic of a global culture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/1b24d65c-e36a-4521-aa84-7497890b4bb6/919340.jpg</image:loc>
      <image:title>Focus - AUTO Focus 2 - Robert Cameron Above Los Angeles</image:title>
      <image:caption>Above Los Angeles was published in 1984 by Cameron &amp; Company as part of Robert Cameron’s well-known “Above” series, which captured major cities across the world from a bird’s-eye view. The series beginning with Above San Francisco in 1969 was notable for its striking use of color, clarity, and scale, offering a comprehensive and almost architectural perspective on urban environments. Above Los Angeles stands out in the series for the way it documents the city’s expansive sprawl, weaving together aerial views of freeways, coastlines, neighborhoods, and downtown skylines into a singular portrait of Southern California’s ever-evolving landscape. It’s clear that Above Los Angeles has left a lasting impression on Vanasco’s practice. His own aerial photography shares Cameron’s fascination with perspective, form, and the visual rhythms of the city from above. But where Cameron’s work leans toward clinical documentation, Vanasco brings a more personal compositional edge, drawing on his deep connection to Los Angeles. The influence is less about imitation and more about continuing a visual conversation, looking at the same landscape through a different lens, in a different era, but with the same intent to understand and represent the scale, beauty, and contradictions of Los Angeles.</image:caption>
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      <image:title>Focus - AUTO Focus 2 - Martine Franck One Day to the Next</image:title>
      <image:caption>Franck’s D’un jour, l’autre was first published in 1998 by Éditions du Seuil in France. This French-language edition presents a selection of Franck’s black-and-white photographs, exploring a range themes such as childhood, old age, the arts, and everyday life. It features an insightful introduction by acclaimed writer and art critic John Berger, highlighting Franck’s humanist vision. That same year, the English-language edition titled One Day to the Next was published by Thames &amp; Hudson in London and Aperture in New York. Martine Franck was a renowned French-Belgian documentary and portrait photographer known for her humanist approach and work with Magnum Photos. Her photography focused on capturing quiet, intimate moments of everyday life with empathy and sensitivity. In One Day to the Next, Franck presents a powerful collection of images that reflect her deep interest in human dignity, culture, and the passage of time. The book showcases her talent for observing fleeting yet meaningful instances, offering viewers a thoughtful meditation on life and humanity through the lens of her camera.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/41939deb-b972-4c47-befc-cd8be98db013/ECole.jpg</image:loc>
      <image:title>Focus - AUTO Focus 2 - Ernest Cole The True America</image:title>
      <image:caption>The True America was published in 2024 by DelMonico Books. The publication builds upon Cole’s historic legacy and follows the rediscovery of his previously unseen work documenting life in the United States during the 1960s and 70s. This book offers a powerful portrait of America through the lens of Ernest Cole. Known for his fearless and humanistic approach, Cole captures scenes of race, class, and everyday struggle with stark clarity and emotional depth. The True America showcases moments of resilience and injustice, offering an unflinching look at a nation in transition with the insight of an outsider.</image:caption>
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      <image:title>Focus - AUTO Focus 2 - Fred Lyon San Francisco Then</image:title>
      <image:caption>San Francisco, Then was first published in 2010 by Modernbook Editions as a limited edition release. This special edition featured 70 duotone plates, bound in cloth and presented in a clamshell box with a signed gelatin silver print, limited to 100 copies. A mass-market edition followed in 2014, published by Princeton Architectural Press, expanding the reach of Lyon’s iconic images to a broader audience. This book offers a timeless portrait of San Francisco through the lens of Fred Lyon. With his elegant, noir-inspired photography, Lyon captures the city’s fog-shrouded streets, distinctive architecture, and colorful characters. San Francisco Then showcases the spirit of mid-century San Francisco, offering a nostalgic yet vivid glimpse into a city alive with charm, mystery, and resilience.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/0914fd8e-bc44-4a3f-9d5e-a693e3b7f2e1/IC_Retro.jpg</image:loc>
      <image:title>Focus - AUTO Focus 2 - Imogen Cunningham A Retrospective</image:title>
      <image:caption>Imogen Cunningham: A Retrospective was first published in October 2020 by Getty Publications. This comprehensive volume was released in conjunction with a major exhibition at the J. Paul Getty Museum in Los Angeles and the Seattle Art Museum, marking the first full retrospective of Cunningham’s work in over thirty-five years. This book offers an in-depth exploration of Imogen Cunningham’s illustrious career through the lens of Paul Martineau and Susan Ehrens. With nearly 200 images, the retrospective showcases Cunningham’s versatility from intimate portraits and botanical studies to modernist nudes and street photography. The essays draw from extensive primary sources, including letters and family albums, providing a nuanced understanding of Cunningham’s motivations and work.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/14d40b48-f518-4b40-a8c2-e5a276a892da/RG_Son+copy.jpg</image:loc>
      <image:title>Focus - AUTO Focus 2 - Ralph Gibson The Somnambulist</image:title>
      <image:caption>The Somnambulist was first published in 1970 by Lustrum Press, marking the debut of Ralph Gibson’s own publishing imprint. At the time, Gibson invested $4,000 to self publish, money he didn’t have to produce the book while falling behind on rent. Despite these challenges, the publication became a defining moment in independent photo book publishing and defined Gibson’s career. Unconventional in structure, the book set a new tone for photo sequencing and personal narrative in photo books. The work itself presents a surreal, atmospheric study of the unconscious mind, rendered in Gibson’s signature high-contrast black-and-white. Rather than relying on straightforward storytelling, The Somnambulist unfolds through mood and association, inviting viewers to move through a sequence of dreamlike images that challenge linear interpretation. It’s a book that helped reframe how photography could function on the page not just as documentation, but as suggestion, symbol, and psychological space. This kind of sequencing and visual language has had a clear influence on Vanasco. While Vanasco’s subject matter often centers on urban life and environments, his photo books share a similar approach in how they are built. Like Gibson, Vanasco treats editing and sequencing as part of the creative act, not just a final step in production. The inspiration isn’t just aesthetic; it’s structural, showing how a photo book can become its own immersive experience, shaped as much by feeling as by form. In that way, The Somnambulist remains an important reference in Vanasco’s evolving relationship with publishing and photographic narrative.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/2a971148-a10c-45b4-83e6-4a532f318d0a/IP+copy.jpg</image:loc>
      <image:title>Focus - AUTO Focus 2 - Irving Penn Moments Preserved</image:title>
      <image:caption>Moments Preserved was first published in 1960 by Simon &amp; Schuster. This landmark monograph marked Irving Penn’s debut as a published photographer, featuring an introduction by Vogue art director Alexander Liberman. The book was produced with meticulous attention to detail, reflecting Penn’s commitment to high-quality craftsmanship. This book offers a rich portrait of Irving Penn’s early work through a curated selection of photographs taken during his first seventeen years of assignments for Vogue. With his signature elegance and precision, Penn captures a diverse array of subjects, including portraits, still lifes, fashion, and travel scenes from locations such as France, England, Italy, Spain, Peru, and Morocco. Moments Preserved showcases Penn’s versatility and keen eye for detail, providing insight into his creative process and the world of mid-century fashion and portrait photography</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/139a9ba1-81d9-41ae-bbb9-8a019ed90899/booook.jpg</image:loc>
      <image:title>Focus - AUTO Focus 2 - Andre Kertesz Diary Of Light</image:title>
      <image:caption>Diary of Light 1912–1985 was first published in 1987 by Aperture in association with the International Center of Photography. This definitive monograph features over 175 black-and-white tritone photographs, including 152 full-page plates. The book includes a foreword by Cornell Capa and an essay by Hal Hinson, providing insight into Kertész's contributions to photography. This book offers a comprehensive portrait of André Kertész’s illustrious career through a curated selection of photographs made during his lifetime. With his signature elegance and precision, Kertész captures a diverse array of subjects, including portraits, still lifes, fashion, and travel scenes from locations such as Hungary, France, and the United States. Diary of Light showcases Kertész’s versatility and keen eye for detail, providing insight into his creative process and the world of mid-century photography.</image:caption>
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    <loc>https://www.aut0books.com/focus/blog-post-title-one-k235t</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/0440c069-b1d2-4c89-ae1b-5de80827301e/Fran+Ho.jpg</image:loc>
      <image:title>Focus - AUTO Focus 1 - 1. Fan Ho: Hong Kong Yesterday</image:title>
      <image:caption>Photographer: Fan Ho Publisher: Modernbook Editions, 2017 Overview: This book captures the essence of mid-20th-century Hong Kong through striking black-and-white images. Fan Ho’s work is marked by its beautiful composition and emotional depth, showcasing the vibrancy and melancholy of a city in transition.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/3fe27e4a-8ae3-4bea-996a-a0c22244c334/HIDO.jpg</image:loc>
      <image:title>Focus - AUTO Focus 1 - 2. Todd Hido: Intimate Distance</image:title>
      <image:caption>Photographer: Todd Hido Publisher: Aperture, 2016 Overview: Hido's intimate landscapes and interiors evoke feelings of isolation and connection. His mastery of light and color creates a dreamlike quality that draws the viewer into moments of quiet reflection.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/732e9903-a843-4b16-9abb-9a2fecc63cd0/BOOK-trent-parke-dream-life.jpg</image:loc>
      <image:title>Focus - AUTO Focus 1 - 3. Trent Parke: Dream/Life</image:title>
      <image:caption>Photographer: Trent Parke Publisher: Hot Chilli Press, 1999 Overview: In "Dream/Life," Parke blends surrealism with candid storytelling, capturing the essence of Australian life. His striking imagery, filled with vibrant colors and ethereal moments, invites viewers into a world that feels both familiar and otherworldly.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/a010acb3-dd4c-45df-8faf-a84ff84851cc/Screenshot+2024-11-05+at+12.50.06%E2%80%AFPM.png</image:loc>
      <image:title>Focus - AUTO Focus 1 - 4. Sebastião Salgado: Kuwait</image:title>
      <image:caption>Photographer: Sebastião Salgado Publisher: Taschen, 2016 Overview: Salgado’s poignant documentation of the aftermath of the Gulf War is both powerful and heartbreaking. Through stark black-and-white photographs, he brings to light the human cost of conflict, evoking empathy and awareness.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/68acab47-168f-4001-8b4f-f6c3bfde1c0e/91G0SNy%2B74L._SL1500_.jpg</image:loc>
      <image:title>Focus - AUTO Focus 1 - 5. Gregory Crewdson: Beneath the Roses</image:title>
      <image:caption>Photographer: Gregory Crewdson Publisher: Abrams, 2008 Overview: Crewdson’s meticulously staged photographs of suburban America blur the lines between reality and fantasy. Each image is a narrative in itself, inviting viewers to uncover the stories hidden within the frames. This cinematic approach resonates with Sackheim's filmmaking, where every shot is crafted to tell a deeper story.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/671fe76f64f3a2342deba5b0/1214ce9d-2da7-43d0-b08f-1f60355267da/Screenshot+2024-11-05+at+1.01.05%E2%80%AFPM.png</image:loc>
      <image:title>Focus - AUTO Focus 1 - 6. Ernst Haas: New York in Color 1952-1962</image:title>
      <image:caption>Photographer: Ernst Haas Publisher: Prestel, 2020 Overview: Haas’s vibrant exploration of New York City in the 1950s and 60s captures the pulse of urban life in stunning color. His innovative approach to photography celebrates the energy and diversity of the city, offering a fresh perspective.</image:caption>
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